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Students from Wayne County Community College create Micropointillist work in less than three hours in their first attempt.


I invented this medium in 1977 while I was doing my Masters of Fine Arts at Wayne State University. At the time, I was experimenting with cross pollinating some of the more delicious attributes of intaglio with lithography.
Within the intaglio process, one can build up tonality and depth with a process called 'Aquatint'. The closest lithography could come to this build-up of tone was by the use of photographic dot-matrix which was too stiff for my approach to art. Another method was with a 'conte' stain, which was too hard to control and tended to fill in or disappear during printing. I found that by using an atomizer to blow successive layers of liquid asphaltum onto a litho plate, interspersed with areas 'blocked' with gum arabic, I was able to create and control tonalities of ink. It was then a simple step of producing the three color plates with this method, thus creating images with primary and secondary colors. In the last months of my degree, it struck me that I would be unable to afford the equipment to do either intaglio or lithography, so I decided to see if the process could be adjusted so it could be applied to a regular surface.
It could.
After leaving the university, my good friend and compatriot Lowell Boileau and I continued the development of the process. It was he who coined the name 'Micropointillism' and realized that by substituting silk-screen block in the place of gum arabic, one could avoid the brittle cracking that tended to occur during the painting process. Over the years I have taught many people to use this medium, and eventually realized the need to produce an easy to follow manual. So here it is:

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